Life In Stillness

Stillness #25 Laura Aguilar

On April 23, our class visited the Grey Art Gallery, and one artwork that immediately caught my attention was Stillness # 25 (1999) by Laura Aguilar. As I walked through the exhibit, this black-and-white photograph stood out to me because of its powerful subject — a naked woman lying in what seemed like the middle of nowhere. The scene felt isolated but deeply emotional, and I found myself drawn to it.

Stillness # 25is a gelatin silver print, filtered in black and white, which makes the viewer focus completely on the subject without the distraction of color. The lack of color highlights the textures, the stillness, and even the subtle movement in the photograph. It creates a raw and emotional experience. If I had to describe the artwork in three words, I would say it is uncomfortable, grim, and relatable. Even though the setting feels bleak, there is something peaceful about the woman’s body language — a quiet acceptance that felt both powerful and touching.

I later learned from the label that Laura Aguilar wrote, “Stillness and dying made me think about how we find serenity, how we grow to discover grace in dying and in life.” This insight made me appreciate the piece even more. I could see how Aguilar captured a sense of peace in a moment that might otherwise seem lonely or even sorrowful. Although it is a still photograph, it felt alive. I could sense a gentle movement, like the slow breathing of someone deep in thought or rest.

Walking around the exhibit overall was a really powerful experience. Every artwork and label pulled me into each artist’s personal story and message. It made me happy to see how women, who historically had fewer rights and platforms were able to express themselves so openly and be recognized for their work. Visiting the Grey Art Gallery was not just about seeing art; it was about connecting with the artists' experiences and feeling grateful that their voices are finally being heard. - Teemara W